Monday, August 27, 2018

Joseph Conrad
December 1857 – 3 August 1924
Polish-British writer[1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature
His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works





Aboard the Nellie, anchored in the River Thames near Gravesend, England, Charles Marlow tells his fellow sailors about the events that led to his appointment as captain of a river steamboat for an ivory trading company. As a child, Marlow had been fascinated by "the blank spaces" on maps, particularly by the biggest, which by the time he had grown up was no longer blank but turned into "a place of darkness" (Conrad 10). Yet there remained a big river, "resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land" (Conrad 10). The image of this river on the map fascinated Marlow "as a snake would a bird" (Conrad 10). Feeling as though "instead of going to the centre of a continent I were about to set off for the centre of the earth", Marlow takes passage on a French steamer bound for the African coast and then into the interior (Conrad 18). After more than thirty days the ship anchors off the seat of the government near the mouth of the big river. Marlow, with still some two hundred miles to go, now takes passage on a little sea-going steamer captained by a Swede. He departs some thirty miles up the river where his Company's station is. Work on the railway is going on, involving removal of rocks with explosives. Marlow enters a narrow ravine to stroll in the shade under the trees, and finds himself in "the gloomy circle of some Inferno": the place is full of diseased Africans who worked on the railroad and now await their deaths, their sickened bodies already as thin as air (Conrad 24–25). Marlow witnesses the scene "horror-struck" (Conrad 26).

Marlow has to wait for ten days in the Company's Outer Station, where he sleeps in a hut. At this station, which strikes Marlow as a scene of devastation, he meets the Company's impeccably dressed chief accountant who tells him of a Mr. Kurtz, who is in charge of a very important trading-post, and a widely respected, first-class agent, a "'very remarkable person'" who "'Sends in as much ivory as all the others put together'" (Conrad 28). The agent predicts that Kurtz will go very far: "'He will be a somebody in the Administration before long. They, above—the Council in Europe, you know—mean him to be'" (Conrad 29).
Belgian river station on the Congo River, 1889

Marlow departs with a caravan of sixty men to travel on foot some two hundred miles into the wilderness to the Central Station, where the steamboat that he is to captain is based. On the fifteenth day of his march, he arrives at the station, which has some twenty employees, and is shocked to learn from a fellow European that his steamboat had been wrecked in a mysterious accident two days earlier. He meets the general manager, who informs him that he could wait no longer for Marlow to arrive, because the up-river stations had to be relieved, and rumours had one important station in jeopardy because its chief, the exceptional Mr. Kurtz, was ill. "Hang Kurtz", Marlow thinks, irritated (Conrad 34). He fishes his boat out of the river and is occupied with its repair for some months, during which a sudden fire destroys a grass shed full of materials used to trade with the natives. While one of the natives is tortured for allegedly causing the fire, Marlow is invited in the room of the station's brick-maker, a man who spent a year waiting for material to make bricks. Marlow gets the impression the man wants to pump him, and is curious to know what kind of information he is after. Hanging on the wall is "a small sketch in oils, on a panel, representing a woman draped and blindfolded carrying a lighted torch" (Conrad 39). Marlow is fascinated with the sinister effect of the torchlight upon the woman's face, and is informed that Mr. Kurtz made the painting in the station a year ago. The brick-maker calls Kurtz "'a prodigy'" and "'an emissary of pity, and science, and progress'", and feels Kurtz represents the "'higher intelligence, wide sympathies, a singleness of purpose'" needed for the cause Europe entrusts the Company with (Conrad 39). The man predicts Kurtz will rise in the hierarchy within two years and then makes the connection to Marlow: "'The same people who sent him specially also recommended you'" (Conrad 39–40).

Marlow is frustrated by the months it takes to perform the necessary repairs, made all the slower by the lack of proper tools and replacement parts at the station. During this time, he learns that Kurtz is far from admired, but more or less resented (mostly by the manager).

Once underway, the journey up-river to Kurtz's station takes two months to the day. The steamboat stops briefly near an abandoned hut on the riverbank, where Marlow finds a pile of wood and a note indicating that the wood is for them and that they should proceed quickly but with caution as they near the Inner Station.
The Roi des Belges ("King of the Belgians"—French), the Belgian riverboat Conrad commanded on the upper Congo, 1889

The journey pauses for the night about eight miles below the Inner Station. In the morning the crew awakens to find that the boat is enveloped by a thick white fog. From the riverbank they hear a very loud cry, followed by a discordant clamour. A few hours later, as safe navigation becomes increasingly difficult, the steamboat is attacked with a barrage of small arrows from the forest. The helmsman is impaled by a spear and falls at Marlow's feet. Marlow sounds the steam whistle repeatedly, frightening the attackers and causing the shower of arrows to cease. Marlow and a pilgrim (Marlow's word for the European hangers-on in the steamer) watch the helmsman die. In a flash forward, Marlow notes that the International Society for the Suppression of Savage Customs had commissioned Kurtz to write a report, which he did eloquently. A handwritten postscript, apparently added later by Kurtz, reads "Exterminate all the brutes!" (Conrad 83).

At Kurtz's station Marlow sees a man on the riverbank waving his arm, urging them to land. The pilgrims, heavily armed, escort the manager on to the shore to retrieve Mr. Kurtz. The man from the bank boards the steamboat, and turns out to be a Russian wanderer who had happened to stray into Kurtz's camp. He explains that he had left the wood and the note at the abandoned hut. Through conversation Marlow discovers just how wanton Kurtz can be; how the natives worship him; and how very ill he has been of late. The Russian admires Kurtz for his intellect and his insights into love, life, and justice, and suggests that he is a poet. He tells of how Kurtz opened his mind, and seems to admire him even for his power—and for his willingness to use it. Marlow, on the other hand, suggests that Kurtz has gone mad.

From the steamboat, Marlow observes the station in detail and is surprised to see near the station house a row of posts topped with the severed heads of natives. Around the corner of the house, the manager appears with the pilgrims, bearing a gaunt and ghost-like Kurtz on an improvised stretcher. The area fills with natives, apparently ready for battle, but Kurtz shouts something from the stretcher, and the natives retreat into the forest. The pilgrims carry Kurtz to the steamer and lay him in one of the cabins, where he and the manager have a private conversation. Marlow watches a beautiful native woman walk in measured steps along the shore and stop next to the steamer. When the manager exits the cabin he pulls Marlow aside and tells him that Kurtz has harmed the Company's business in the region, that his methods are "unsound". Later, the Russian reveals that Kurtz believes the Company wants to remove him from the station and kill him, and Marlow confirms that hangings had been discussed.
Léon Rom, photographed c. 1880, who some have argued served as the inspiration for Kurtz

After midnight, Marlow discovers that Kurtz has left his cabin on the steamer and returned to shore. He goes ashore and finds a very weak Kurtz crawling his way back to the station house, though not too weak to call to the natives for help. Marlow threatens to harm Kurtz if he raises an alarm, but Kurtz only laments that he had not accomplished more in the region. The next day they prepare for their journey back down the river. The natives, including the ornately dressed woman, once again assemble on shore and begin to shout unintelligibly. Noticing the pilgrims readying their rifles, Marlow sounds the steam whistle repeatedly to scatter the crowd of natives. Only the woman remains unmoved, with outstretched arms. The pilgrims open fire as the current carries them swiftly downstream.

Kurtz's health worsens on the return trip, and Marlow himself becomes increasingly ill. The steamboat breaks down and, while it is stopped for repairs, Kurtz gives Marlow a packet of papers, including his commissioned report and a photograph, telling him to keep them away from the manager. When Marlow next speaks with him, Kurtz is near death; as he dies, Marlow hears him weakly whisper: "The horror! The horror!" (Conrad 116). A short while later, the "manager's boy" announces to the rest of the crew, in a scathing tone, "Mistah Kurtz—he dead" (Conrad 117). The next day Marlow pays little attention to the pilgrims as they bury "something" in a muddy hole (Conrad 117). He falls very ill, himself near death.

Upon his return to Europe, Marlow is embittered and contemptuous of the "civilised" world. Many callers come to retrieve the papers Kurtz had entrusted to him, but Marlow withholds them or offers papers he knows they have no interest in. He then gives Kurtz's report to a journalist, for publication if he sees fit. Finally Marlow is left with some personal letters and a photograph of Kurtz's fiancée, whom Kurtz referred to as "My Intended" (Conrad 79). When Marlow visits her, she is dressed in black and still deep in mourning, although it has been more than a year since Kurtz's death. She presses Marlow for information, asking him to repeat Kurtz's final words. Uncomfortable, Marlow lies and tells her that Kurtz's final word was her

Thursday, August 16, 2018

Practical Criticism by I. A. Richards
The Four Kinds of Meaning
Sense
Feeling
Tone
Intention


Sense
What speaker or author speaks is sense. The thing that the writer literally conveys is sense. Here, the speaker speaks to arouse the readers thought. The language is very straightforward which is descriptive. This language is not poetic. Words are used to direct the hearer's attraction up on some state of affairs or to excite them. Sense is whatness of language use.

Feeling
Feeling is writer’s emotional attitude towards the subject. It means writer’s attachment or detachment to the subject is feeling. It is an expression. The speaker or writer uses language to express his views. This very language is emotive, poetic and literary also. Here only, rhyme and meter cannot make poetry to be a good, emotion is equally important. Especially in lyric poem, emotion plays vital role.


Tone
Tone refers to attitude of speaker towards his listener. There is a kind of relation between speaker and listener. Since speaker is aware of his relationship with language and with the listener, he changes the level of words as the level of audience changes. It means tone varies from listener to listener.

Intention
Intention is the purpose of speaker. Speaker has certain aim to speak either it is consciously or unctuously. Listener has to understand the speaker's purpose to understand his meaning. If the audience can't understand his purpose the speaker becomes unsuccessful. The intention of author can be found in dramatic and semi- dramatic literature.



 SEVENTH TYPE OF AMBIQUITY-   WILLIAM EMPSON
‘types of logical disorder in the order of increasing distance from simple statement and logical exposition

 The Windhover
By Gerard Manley Hopkins

To Christ our Lord

I caught this morning morning's minion, king-
    dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
    Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
    As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
    Rebuffed the big wind. My heart in hiding
Stirred for a bird, – the achieve of, the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
    Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
   
   No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
    Fall, gall themselves, and gash gold-vermilion.




Seven types

The first type of ambiguity is the metaphor, that is, when two things are said to be alike which have different properties. This concept is similar to that of metaphysical conceit.
Two or more meanings are resolved into one. Empson characterizes this as using two different metaphors at once.
Two ideas that are connected through context can be given in one word simultaneously.
Two or more meanings that do not agree but combine to make clear a complicated state of mind in the author.
When the author discovers his idea in the act of writing. Empson describes a simile that lies halfway between two statements made by the author.
When a statement says nothing and the readers are forced to invent a statement of their own, most likely in conflict with that of the author.
Two words that within context are opposites that expose a fundamental division in the author's mind.




Thursday, August 9, 2018

NET 2



Geoffrey Chaucer

The Knight’s Tale

theseus, duke of Athens, imprisons Arcite and Palamon,
but he is accidentally thrown from his horse and dies. Palamon then marries Emelye.

the Miller’s Prologue and Tale

impoverished student named Nicholas who persuades his landlord’s sexy young wife, Alisoun
a carpenter named John, Absolon, a young parish clerk who is also in love with Alisoun,

The Reeve’s Prologue and Tale

two students, John and Alayn, That night, Alayn seduces the miller’s daughter, and John seduces his wife
PARADISE LOST
In 1667 John Milton bestowed (some beleaguered students might say 'inflicted') his great masterpiece, Paradise Lost, upon the world. In 1674 the revised second edition was published, where he divided the original ten books into twelve and added the following introductory summaries or "Arguments" for each book at the request of confused early readers.

BOOK I
the whole subject: man's disobedience and the loss thereupon of Paradise wherein he was placed;
BOOK I
A brief introduction mentions the fall of Adam and Eve caused by the serpent, which was Satan, who led the angels in revolt against God and was cast into hell. The scene then opens on Satan lying dazed in the burning lake, with Beelzebub, next in command, beside him. Satan assembles his fallen legions on the shore, where he revives their spirits by his speech. They set to building a palace, called Pandemonium. There the high ranking angels assemble in council
BOOK II
A debate is held whether or not to attempt recovery of heaven. A third proposal is preferred, concerning an ancient prophecy of another world which was to be created, where the devils may seek to enact their revenge. Satan alone undertakes the voyage to find this world. He encounters Sin and Death, his offspring, guarding hell's gates. Sin unlocks the gate, and Satan embarks on his passage across the great gulf of chaos between heaven and hell, till he sights the new universe floating near the larger globe, which is heaven.
BOOK III
God sees Satan flying towards this world and foretells the success of his evil mission to tempt man. God explains his purpose of grace and mercy toward man, but declares that justice must be met nonetheless. His Son, who sits at his right hand, freely offers to sacrifice himself for man's salvation, causing the angels to celebrate in songs of praise.
Meanwhile Satan alights upon the outer shell of the new creation, where he finds an opening to the universe within. He flies down to the sun, upon which an angel, Uriel, stands guard. Diguised as a cherub, Satan pretends he has come to praise God's new creation, and thereby tricks the angel into showing him the way to man's home.
BOOK IV
Landing atop Mt. Niphates, Satan experiences dissillusionment, but soon proceeds on his evil errand. He easily gains secret entrance to the Garden of Paradise. He wonders at its beauty, and soon comes upon Adam and Eve, who excite great envy in him at their happy state. He overhears them speak of God's commandment that they should not eat the fruit of the Tree of Knowledge of Good and Evil under penalty of death, and thereby plots to cause them to transgress.
Uriel, becoming suspicious, comes to warn Gabriel and his angels, who are guarding the gate of Paradise. That evening, two scouts sent by Gabriel find Satan whispering in the ear of Eve as she sleeps next to her husband. The scouts apprehend and bring Satan to Gabriel who banishes him from Eden.
BOOK V
Next morning, Eve relates to Adam a troublesome dream, and is comforted by him. God sends the angel Raphael to visit the couple to warn them of their enemy. The angel arrives and dines with them, then relates to them the history of Satan's fall: how jealousy against the Son of God led him to incite all those in his charge to rebel against God, and how one angel, Abdiel, resisted and remained faithful to God.
BOOK VI
Raphael continues to relate how Michael was sent to lead the faithful angels into battle against Satan (then called Lucifer) and his army. Wounded and in dissaray, Satan and his powers retreat. During the night they invent weapons resembling cannons. When, in the second day's fight, Michael's angels are confronted with these devilish devices, they become enraged and pull up the very mountains and hurl them at Satan's crew. But the war continues into the third day, when God sends Messiah, his Son, to end the war. Riding forth in his flaming chariot, Messiah drives the rebels out of heaven and down into hell
BOOK VII
Raphael then relates to Adam how God sent his Son to create a new world and new creatures to fill the place left by the fallen angels. The six days of creation are described.
BOOK VIII
Adam, desiring to extend the pleasurable visit with the angel, relates to Raphael what he remembers of his own creation, his first impressions of the world and its creatures, the Garden of Eden, and his first meeting and marriage to Eve. After repeating his warnings to Adam, the angel departs.
BOOK IX
Satan returns to earth, where he chooses the serpent as his best disguise. Next morning, when Adam and Eve go forth to their gardening tasks, Eve suggests they go in separate directions. With great reservation, Adam finally consents. The serpent finds Eve alone and approaches her. She is surprised to find the creature can speak, and is soon induced by him to eat the fruit of the forbidden tree. Adam is horrified when he finds what she has done, but at length resignes himself to share her fate rather than be left without her, and eats the fruit also. After eating, they are aroused with lust and lay together, then fall to restless sleep. They waken to awareness of their nakedness and shame, and cover themselves with leaves. In their emotional distress, they fall into mutual accusations and blame.
BOOK X
The guardian angels return to heaven, sad for man's failure, and the Son of God descends to earth to judge the sinners. Mercifully, he delays their sentence of death many days, during which they may work to regain God's favor. Then, in pity, he clothes them both.
At the gates of hell, Sin and Death sense the success of Satan in this new world. They set out to build a highway over chaos to make future passage to earth easier. Satan meets them on his return voyage to hell, and marvels at the great structure. Upon his arrival in Pandemonium, Satan boasts of his success to the assembly. Instead of applauding him, they can only hiss, for they and he have all been turned into snakes, their punishment from above.
God instructs his angels what changed conditions must prevail in the world, now in fallen state, while on earth, Adam bemoans his miserable condition and the fate of the human race. He harshly rejects Eve's attempt to console him, but she persists and wins his forgiveness. She proposes they commit suicide, but Adam reminds her of God's promise that her seed should wreak vengeance upon the serpent. Moreover, they must seek to make peace with their offended Lord.
BOOK XI
God sends Michael and his band to expel the sinning pair from Paradise, but first to reveal to Adam future events, resulting from his sin. The angel descends to Eden with the news of their expulsion, causing Eve to withdraw in tears. Michael leads Adam up a high hill, where he sets before him in visions what shall happen till the Great Flood.
BOOK XII
Michael continues in prophecy from the flood by degrees to explain who the Seed of woman shall be, the Savior which was promised, who shall redeem mankind. Adam is recomforted by these last revelations and resolves faithful obedience. He descends the hill with Michael and rejoins Eve, who is wakened from gentle sleep, reconfirmed in allegence to her husband. A flaming sword is placed to bar the gates behind them, as Adam and Eve are sent away from Paradise.

Tuesday, August 7, 2018

NET 1



"Ode to a Nightingale
his 1819 odes and was first published in Annals of the Fine Arts
Negative capability capacity of the greatest write to pursue a vision of artistic beauty even when it leads them into intellectual confusion and uncertainty, as opposed to a preference for philosophical certainty over artistic beauty.
"Ode to Psyche", was probably written first and "To Autumn" written last
1820 collection of poems, Lamia, Isabella, The Eve of St Agn"
Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agneses, and Other Poems
F. Scott Fitzgerald took the title of his novel Tender is the Night from the 35th line of the ode.[citation needed]
According to Ildikó de Papp Carrington, Keats' wording, "when, sick for home, / She stood in tears amid the alien corn", seems to be echoed in by Alice Munro's Save the Reaper (1998),[68] the end of which reads: "Eve would lie down [...] with nothing in her head but the rustle of the deep tall corn which might have stopped growing now but still made its live noise after dark" (book version).


Sons and Lovers
Paul Morel, a young man and budding artist.

The original 1913 edition was heavily edited by Edward Garnet

his mother's wasted life through his female protagonist Gertrude Morel
Mrs. Morel
Her oldest son, Willia      Paul, her second son  Paul falls in love with Miriam Leivers Paul meets Clara Dawes

starting
“THE BOTTOMS” succeeded to “Hell Row”. Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that plodded wearily in a circle round a gin. And all over the countryside were these same pits, some of which had been worked in the time of Charles II, the few colliers and the donkeys burrowing down like ants into the earth, making queer mounds and little black places among the corn-fields and the meadows. And the cottages of these coal-miners, in blocks and pairs here and there, together with odd farms and homes of the stockingers, straying over the parish, formed the village of Bestwood.

ending
“Mother!” he whispered—“mother!”
She was the only thing that held him up, himself, amid all this. And she was gone, intermingled herself. He wanted her to touch him, have him alongside with her.
But no, he would not give in. Turning sharply, he walked towards the city's gold phosphorescence. His fists were shut, his mouth set fast. He would not take that direction, to the darkness, to follow her. He walked towards the faintly humming, glowing town, quickly.
THE END